Kay Shamblin is a lesbian poet, student, and avid D&D player based in Louisville, Kentucky. Her poetry has been published in theWhiteSquirreland OROBORO, and her most recent work is centered around body horror, eroticism and intimacy.
I started writing poetry before I realized I was a lesbian, but I started getting serious about my writing at around the same time that I started to really question my sexuality. One of the moments where my sexuality became clear to me was when I realized that I wanted to write poetry for this girl so badly, but I that had never wanted to write poems for the men that I dated. I write on my sexuality a lot now, in less of a political way and more of a confessional or introspective way. Before I knew I was a lesbian, my poetry felt artificial. Now it feels raw.
I don’t think that love is a worthier subject to write on than erotica. The two intertwine so often that I feel like it’s a disservice to both subjects to act as though they’re completely divorced from one another or working against each other. I’ve found that one of the more important parts of my journey as a poet has been finding ways to combine themes of romance and eroticism in poetry, especially since women who love women are so often objectified.
It’s a reclamation to be able to talk about sex and love concurrently and on my own terms, all the while having the power to frame this conversation in the ways that I want. Poetry, especially love poetry, is as much for myself as it is for the girl I’m writing about. It’s a way to shed all the stigma surrounding the ways that gay women express sex and love. To express a shameless outpouring of yearning and say “Look! I’m not predatory! I’m in love!” is reclamation in itself.
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