In the afterlife
There is always something to do
pick up the leaning umbrella before it hits the window, leaving
a tell tale smudge
clutter. Le désordre
le bruit, le fatras,
a maniac for the mind seeking calm
in Upton’s Jungle where only heat bakes
rocks inedible
cushions flattened by visitations, last nights vestige
reminds me of when the bad boy dropped me off at my house and I ran
whippet thin and full of bile through tall yellow grass before sun was up
thinking if I could get inside, wash every molecule off, it wouldn’t be real
for what is real? Who is alive and who is not?
Was it real that you gave birth to me? Or did I come out from your forehead
like Athena without guile, just seeking, the end of the puzzle
wet with embryonic writhe
a dot representing the center, a square we are lost in, a triangular shape of a woman
scything herself of humanity
yoga mat lying on the floor, when no one is looking, legions roam across
their sticky melange leaving detritus and DNA – filthy castings of a viral world
and we think there’s a purpose to cleaning? When our minds are so
filled with dirt, the stain of then, the need for order, no end in sight
you died before I could recall my own conscience
still playing in the sandbox with Pavlov’s dog
salivating at lunch time when the ice cream truck sounded
turning the corner into our 1970’s neighborhood
all the kids who grew up to be wrecked, all the kids with abuse
shuttered behind their sleep-filled-eyes, what we knew and did not know
before we lived, before we were fully conceptualized
clambering out of robot heads into uniforms with starched collars
and itchy labels. Derrida scolds me for forgetting
the metaphysics of presence, how the hair startles before
we are aware of the interloper.
My mother, without me would have been
the same, oppositions casting wide circles around the other
in extravagant orbit,
her elegance like a chill shadow
against ivory, casting divine repetitions
she may once have wondered what it would be like to
behold a daughter and then, cleaning the smudge
the umbrella made on the glass, moved on to watering
the thirsty plants, who never receive enough
sustaining in this infernal heat. Montaigne’s grotesques
filling empty space with coherence, as monsters dressed in provocation
attempt to mediate man’s presumption, for our limit is sifted clear of
lasting knowledge in the face of holy entreaty.
I am and I am not
here and there, once and before, dancing to the last song
of the evening in your arms, unable to
tear myself away from the grand illusion
that life could be smooth like a record with
little grooves created from their undulate
music to move the water inside our soul
carried far until we grow
weary somehow of the weight
and set it down beneath a tall tree
where we shall never move from.
(First published in Free Verse Revolution, 2020).